Kandij is a Dutch word and it means ‘Rock Sugar’. We Dutch use it in a lot of products, from ‘ontbijtkoek’ (a rye based spiced cake we sometimes eat for breakfast) to Fryske Sûkerbôle, A Frisian sweet bread.
Kandij is a fat and happy font. I’d probably use it for any book or product aimed at children, as it has a certain lumpy cuteness.
Comes with diacritics and swashes for the upper case letters.
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Federasyon was designed on the principles simplicity, legibility and functionality. The font family includes four weights and each weight has more than 240 characters on its own. Federasyon contains more than 10.000 optical arrangement data for each character to work in harmony with each other. Federasyon supports a total of 22 languages, including Western and some Central European languages.
Sharpless is a handwritten script font in a natural and modern handwritten style. It's perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermarks, special events and more. This font includes Ligatures and also Multilingual support. A series of additional dingbats/doodles can be accessed as an OpenType feature in the stylistic set 01.
Light and intuitive handwriting, makes this rhythmic font create that comics feeling, as well as romantic.
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| Download Music Lesson JNL Fonts Family From Jeff Levine |
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Tamitsa is a condensed display sans font. The font is universal and can be used in different directions of graphic design - Internet, printed materials, clothing, logos, posters, labels, navigation and more. Thanks to character compression, you can place a large amount of information in a compressed space. It will read equally well in large and small sizes.
Tamitsa contains 4 fonts: 2 regular and 2 slanted.
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| Download Tamitsa Fonts Family From Graphic Studio "33" |
Begum Sans is a high-contrast design. Its letterforms feature horizontal strokes that flair outwards and look a bit like wedges; this is particularly prominent in the typeface’s capital letters. The feature has a long tradition in lettering, which even predates typography: similar wedge-shaped horizontal strokes were prominent features on Florentine inscriptional lettering during the Renaissance. Even though Begum Sans is a display face, its use isn’t limited to headlines. The typeface’s proportions offer possibilities for many kinds of shorter-length texts, i.e., call-outs, packaging design and the multi-line article introductions that are common in print and on screen. Pair Begum Sans with its matching display serif face Begum. Both Begum and Begum Sans were designed in India by Manushi Parikh.
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