[ysyqg] Download Foda Egypt fonts from Fo Da

Foda Egypt
Foda Egypt Foda EgyptFoda Egypt



Foda Egypt is a sans-serif font family comes with 6 main weights and their italics, with 599 glyphs that support many languages and cover many OTF features such as accents, ligatures, kerning and more …

Foda Egypt is a stylish modern sans-serif suited for headlines, newspapers and many purposes thanks to the clean lines and sharp edges that render out so clearly on screens which increases legibility for all users.





[kscdv] Download Municipal Pool JNL fonts from Jeff Levine

Municipal Pool JNL
Municipal Pool JNL Municipal Pool JNLMunicipal Pool JNL



A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility.


Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters.


This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.



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[akqnj] Download On Your Mark JNL fonts from Jeff Levine

On Your Mark JNL
On Your Mark JNL On Your Mark JNLOn Your Mark JNL



Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web.


One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014.


The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.



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[zsske] Download Privilege Sign Two JNL fonts from Jeff Levine

Privilege Sign Two JNL
Privilege Sign Two JNL Privilege Sign Two JNLPrivilege Sign Two JNL



Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands.


Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters.


Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.


This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from

the 1950s and early 1960s.



Privilege Sign Two JNLDownload NowView Gallery


[trbce] Download Electric Newspaper JNL fonts from Jeff Levine

Electric Newspaper JNL
Electric Newspaper JNL Electric Newspaper JNLElectric Newspaper JNL



Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”.


The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions.


A blank space to place between words is available on both the solid bar and broken bar keystrokes.



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[tikkv] Download Verathrine fonts from Nathatype

Verathrine
Verathrine VerathrineVerathrine



Ready to enchant your audience and enhance your branding? A beautiful and spirited design like this is a great way to grab everyone’s attention! Wait no more, this beautiful font can be yours right now!


Verathrine-A Handwritten Font


This font is all about elegance and style. The curvature of the Verathrine was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be! Great to be used on headings, logos, business cards, printed quotes, cards, packaging, resumes, and even your website or social media branding.


Features:

  • Ligatures
  • Stylistic Sets
  • Swashes
  • PUA Encoded
  • Numerals and Punctuation


Thank you for downloading premium fonts from Nathatype






[jkvyp] Download Brazarri Pro AOE fonts from Astigmatic

Brazarri Pro AOE
Brazarri Pro AOE Brazarri Pro AOEBrazarri Pro AOE



The Brazzari Pro AOE is an unusual but fun geometric typestyle design. It is the historical revival and elaboration of the "Bizarre" typeface created by MacKellar, Smiths, & Jordan Co. in 1884. What began as a basic character set of Capitals, lowercase, numerals, and a small handful of punctuation characters has been expanded to a full character set including unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set, all with a smallcaps and Caps to Smallcap set to match. Definitely a niché use typeface, however, it has some great appeal.


The letterforms of Brazarri Pro AOE are easy to convert to paths and extend various stems, making this revival something you can really let your imagination run wild with for your designs.




WHAT'S INCLUDED:

Enable the Stylistic Alternates feature for standardized letterforms without the extensions.


Extensive language support. Invocation has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh.




One of my guilty pleasures is in taking the time to recreate historical typefaces as digital fonts, and expand on their character sets to enable them to be used more widely than their limited originals. A lot of incredible historical typestyles created as wood or metal type with bare bones character sets have been lost or only exist as limited specimen proofs in old books. These typefaces may have more niché uses than modern typefaces, but I believe it is important nonetheless to preserve these typefaces for future generations. These typefaces, if nothing else, can often inspire new creations.



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